Limited Edition Landscape Prints for Sale: Southwest Fine Art Photography

Most landscape prints for sale online are open edition. Print on demand, no cap on copies, no real reason for that to change. I understand why — it's a simpler business model. But it's not how I work.

Every print in this collection is limited edition. That means a fixed number of copies across all sizes, signed and numbered on the back, and done when it's done. Some editions are already closed. The ones listed here are still available, but that changes.

What "Limited Edition" Actually Means Here

The edition size covers all print sizes combined — not per size. So if an edition is capped at 50, that's 50 prints total across a 16x20, a 24x30, and a 40x50. Not 50 of each. This is how galleries and serious print publishers handle it, and it's the standard that holds up for collectors who care about resale or provenance.

Each print ships with a certificate of authenticity that lists the edition number, image title, print medium, dimensions, and date of production. I sign every certificate.

I shoot primarily on 4x5 large format film — Velvia 50 and Kodak E100 — and the originals are drum-scanned at high resolution. The files support large prints without interpolation artifacts. When you're buying a 40x50 acrylic, the source matters.

Print Media Options

Three options are available depending on the image and what your space calls for:

Lumachrome HD Acrylic — face-mounted behind museum-grade acrylic. This is what I recommend for large prints and for images with strong light contrast — canyons, sunrises, anything where depth in the shadows matters. The luminosity on a Lumachrome acrylic is unlike anything on paper. Colors read differently in the room.

Fine Art Metallic Paper — printed on Kodak Professional Endura Metallic, mounted behind acrylic or float-mounted. Better for horizontal panoramas or spaces where you want the image to sit lighter on the wall. The metallic base adds a subtle sheen that works particularly well on monochrome prints.

Fine Art Matte Paper — matte surface, no sheen. Suits intimate prints and spaces with strong ambient light where acrylic glare would be an issue. Good for offices, hallways, and rooms with lots of windows facing the print wall.

Southwest Wall Art: What's Currently Available

The bulk of this collection is American Southwest photography — Utah canyon country, Arizona desert light, New Mexico, Monument Valley. I've spent most of the last 20 years shooting this region on film, and the images reflect that. These are not the same canyon shots you see everywhere. Many were made at specific times of year when the light does something unusual, and some locations are now more restricted than when I photographed them.

A few prints currently available:

• Second Wave — Antelope Canyon upper slot. Shot during a specific light beam window in late morning. One of the few images in this collection where the color is exactly as saturated as it looks.
• Dead Horse Point Sunrise — the canyon at first light before any haze builds. This location gets crowded by 7am; this shot was made well before that.
• White Pocket Sunset — Vermilion Cliffs, Arizona. The swirling sandstone formations here are unlike anything else in the Southwest. Remote enough that it never gets crowded.
• Toroweap Sunrise — the north rim overlook at Grand Canyon. One of the most demanding shots in this collection to make — 60 miles of dirt road each way, overnight camp, and you only get one chance at the light.
• Crooked Cottonwood — Utah canyon country. The tree had character before I ever photographed it. Shot on Velvia 50 in late afternoon side light.

The full collection is in the galleries. Southwest-specific images are also browsable by state: Arizona, Utah, New Mexico.

Sizing and Installation

Most buyers underestimate size. A 16x20 on a large wall reads small from across the room. For a main living space or office feature wall, 30x40 is usually the minimum to feel intentional. I put together a full print sizing guide by room type if you're working through that decision.

Lumachrome acrylics ship with a French cleat mounting system — no frame needed, clean float off the wall. Paper prints come ready to frame or can be float-mounted. I can discuss installation options for any order.

Corporate and Interior Design Clients

A portion of these prints go into corporate offices, hotels, and commercial spaces. If you're specifying art for a project — lobby, executive suite, conference room — I can provide higher-resolution preview files, custom sizing outside the standard range, and installation coordination. For multi-piece projects, reach out through the contact page rather than ordering directly through the site.

There's a post on choosing landscape photography for corporate spaces that covers what works in high-traffic environments, light conditions, and how to think about a multi-image installation.

Questions Before You Order

Most questions I get before an order are about size, medium, and whether an edition is still open. The edition status is current on each product page. For size and medium questions, the buyer's guide covers the decision framework. For anything specific to your space or project, use the contact form and I'll respond directly.