Marty Quinn Photography

Fine Art Landscape Photography Collection

Browse the complete fine art landscape photography collection. Museum-quality archival prints from America's national parks and wilderness areas.

Browse Prints ↓
Agathla Peak rises more than 1,500 feet above the desert floor just south of Monument Valley, Arizona. Photograph by Marty Quinn
Agathla Peak
from $88Order →
Agathla Peak near Monument Valley, northern Arizona, at the close of a clear fall day. Photograph by Marty Quinn
Agathla Peak Sunset
from $88Order →
A pristine alpine lake reflects the mountain sky on a clear summer evening, Washington. Photograph by Marty Quinn
Alpine Serenity
from $88Order →
A young coast redwood, itself a large tree by any ordinary measure, looks small against the old-growth surrounding it in a Northern California grove. Photograph by Marty Quinn
Among Giants
from $88Order →
Inside Lower Antelope Canyon, an arch of sandstone frames the passage beyond, Arizona. Photograph by Marty Quinn
Arch Slot
from $88Order →
Colorado's San Juan Mountains in peak fall color — aspen stands gone full yellow-gold against the high ridgelines. Photograph by Marty Quinn
Aspen Color
from $88Order →
Aspen and pine in peak fall color in the Colorado San Juan Mountains. Photograph by Marty Quinn
Aspen Color Pano
from $88Order →
Badwater Basin sits 282 feet below sea level, the lowest point in North America, California. Photograph by Marty Quinn
Badwater Sunrise Reflection
from $88Order →
A rock spire and a curved pinyon pine in Joshua Tree National Park — winter morning, Kodak Ektar 100 on a Tachihara 4x5, California. Photograph by Marty Quinn
Balance
from $88Order →
Two sea stacks rise from a glassy foreground at Bandon Beach in this long exposure black and white study of the Oregon coast, California. Photograph by Marty Quinn
Bandon Fog
from $88Order →
A sea stack rises from the Pacific just off Point Reyes National Seashore in Northern California. Photograph by Marty Quinn
Beach Monolith
from $88Order →
Big Ben and the Houses of Parliament framed through a stone archway near Westminster Bridge, London, at night, International. Photograph by Marty Quinn
Big Ben and Westminster Bridge at Night
from $88Order →
Blue Hen Falls at Cuyahoga Valley National Park in Ohio, fall midday, Fujichrome Velvia 50 on a 4x5 large format camera. Photograph by Marty Quinn
Blue Hen Reflection
from $88Order →
Studhorse Point at blue hour in the Grand Staircase-Escalante region of southern Utah, Arizona. Photograph by Marty Quinn
Blue Hour at Studhorse Point
from $88Order →
A golden aspen catches the last of the afternoon light at the rim of Bryce Canyon, its leaves nearly the same color as the hoodoos behind it, Utah. Photograph by Marty Quinn
Bryce Fall
from $88Order →
Close-up detail of Caineville Mesa in Utah's Capitol Reef country — the eroded badlands surface in panoramic format, shot on the Fujifilm GFX100S in fall. Photograph by Marty Quinn
Caineville Mesa Detail
from $88Order →
Inside Lower Antelope Canyon, the swirling sandstone walls frame a rock formation that reads unmistakably as a woman's bust in profile — head, neck, shoulders — carved by water and left there, Arizona. Photograph by Marty Quinn
Canyon Bust
from $88Order →
A Velvet Ash on the Fremont River bank in Capitol Reef National Park, Utah. Photograph by Marty Quinn
Canyon's Gentle Glow
from $88Order →
Last light catches the cliff face at Cape Royal on the North Rim of the Grand Canyon, the rock going warm orange while the canyon depths behind it settle into shadow, Arizona. Photograph by Marty Quinn
Cape Royal Sunset
from $88Order →
A dead Engelmann spruce stands in a mountain lake while a young sapling grows from a moss-covered stump beside it, Colorado. Photograph by Marty Quinn
Circle of Life
from $88Order →
Wildflowers against a red sandstone wall in a remote canyon in Grand Staircase-Escalante, Utah. Photograph by Marty Quinn
Cliff Bloom
from $88Order →
A dense stand of aspens in early fall color fills the frame, the white trunks rising through a mix of yellow, green, and gold foliage, Colorado. Photograph by Marty Quinn
Colorado Fall Color
from $88Order →
Cottonball Basin is named for the white salt formations that push up through the desert crust like something frozen mid-bubble, California. Photograph by Marty Quinn
Cottonball Basin Sunrise
from $88Order →
A lone cottonwood in full fall color stands against the striped bentonite hills of Utah's Capitol Reef country. Photograph by Marty Quinn
Cottonwood and Bentonite Hill
from $88Order →
A close study of cracked mud in Death Valley's valley floor, California. Photograph by Marty Quinn
Cracked Earth
from $88Order →
A summer storm was building over Death Valley at sunrise, California. Photograph by Marty Quinn
Cracked Mud Wash
from $88Order →
Fall color in Grand Staircase-Escalante concentrates in the canyon washes — one cottonwood, twisted by decades of spring floods and drought, against Navajo sandstone walls streaked with desert varnish, Utah. Photograph by Marty Quinn
Crooked Cottonwood
from $88Order →
Aspen trunks curved by wind and snow in the San Juan Mountains of Colorado, fall color at their peak. Photograph by Marty Quinn
Curved Aspen
from $88Order →
A lane of Tuscan cypress trees with Black Mustard flowers blooming in the verge, Val d'Orcia, Tuscany, International. Photograph by Marty Quinn
Cypress Avenue
from $88Order →
The Dallas Divide sits at 8,900 feet in the San Juan Mountains, with the Sneffels Range on the north horizon, Colorado. Photograph by Marty Quinn
Dallas Divide Sunrise
from $88Order →
Factory Butte before sunrise in the Utah badlands, the mesa's silhouette rising from flat terrain as predawn light begins to define the sky. Photograph by Marty Quinn
Dawn’s Embrace
from $88Order →
Dead Horse Point, Utah: the Colorado River loops 2,000 feet below the overlook as first light turns the canyon walls copper and pink clouds drift over Canyonlands. Photograph by Marty Quinn
Dead Horse Point Sunrise
from $88Order →
Factory Butte rises from the Utah badlands under a completely overcast sky — no blue, no direct sun, just flat light and leading lines pointing toward the butte. Photograph by Marty Quinn
Desolation
from $88Order →
The dune field near Panamint Valley is far enough off the road that most Death Valley visitors never find it, California. Photograph by Marty Quinn
Dune Light
from $88Order →
Winter sunrise on El Capitan in Yosemite Valley — the southeast face lit before the valley floor, after a snowfall, California. Photograph by Marty Quinn
El Capitan
from $88Order →
El Capitan in Yosemite during a winter storm — the granite wall emerging from low cloud while snow falls in the foreground, California. Photograph by Marty Quinn
El Capitan's Winter Veil
from $88Order →
A rainbow arches over Dunmore Head near Dingle on the Dingle Peninsula, County Kerry, Ireland, International. Photograph by Marty Quinn
Emerald Isles: Rainbow Above Dunmore Head
from $88Order →
An Engelmann spruce sapling growing from a fallen log at the edge of a mountain pond, its reflection mirrored in still water, Colorado. Photograph by Marty Quinn
Engelmann's Spruce Sapling
from $88Order →
A small pond at the foot of a scree slope catches a perfect reflection of evergreen trees and fall color on a sunny afternoon — no wind, every detail doubled in still water, Colorado. Photograph by Marty Quinn
Evergreen Reflections
from $88Order →
Factory Butte lit by the first light of a fall sunrise in Utah's badlands, the long shadows of morning cutting across the terrain. Photograph by Marty Quinn
Factory Butte Illuminated
from $88Order →
A lone cottonwood in full fall color stands in front of the striped eroded clay of Blue Mesa in Petrified Forest National Park, Arizona, Utah. Photograph by Marty Quinn
Fall along Blue Mesa
from $88Order →
Looking toward the Sneffels Range from the high country of Colorado's San Juan Mountains on a clear fall morning — aspen color in the foreground, Mount Sneffels and the Sneffels Highline visible above treeline. Photograph by Marty Quinn
Fall along the Sneffels Range
from $88Order →
The Sierra Nevada at blue hour before a winter sunrise — the snow-capped peaks dark against a sky that has just started to turn, California. Photograph by Marty Quinn
First Light on the Sierra Nevada - Blue Hour Mountain Fine Art Print
from $88Order →
A stone archway in Florence, Italy, framing a walkway through the historic center at night, International. Photograph by Marty Quinn
Florence Archway
from $88Order →
Wildflowers pushing through cracked desert mud in spring — the fractured earth pattern and the blooms are equally the subject, Utah. Photograph by Marty Quinn
Flowers in Mud Cracks
from $88Order →
The cracked mud flats between Furnace Creek and the Black Mountains do something interesting in winter morning light, California. Photograph by Marty Quinn
Fractured Earth
from $88Order →
Cottonwood trees in early fall color lit by reflected canyon light — the leaves translucent and warm, the shadows soft, Utah. Photograph by Marty Quinn
Golden Cottonwood Reflections
from $88Order →
The Subway in Zion National Park — golden reflected light filling a section of the Left Fork slot canyon, Utah. Photograph by Marty Quinn
Golden Glow
from $88Order →
A saguaro cactus backlit by the last light of a summer evening in the Sonoran Desert of Arizona. Photograph by Marty Quinn
Golden Light Saguaro
from $88Order →
Cypress Avenue in Tuscany's Val d'Orcia at sunrise — the trees lit gold from the east while the road between them is still in shadow, International. Photograph by Marty Quinn
Golden Light on Cypress Avenue
from $88Order →
A small pond in Yosemite's high country reflects the granite walls in perfect stillness on a foggy winter morning, California. Photograph by Marty Quinn
Granite Mirror
from $88Order →
El Capitan from Yosemite Valley on a winter morning, the granite wall rising 3,000 feet against streaking clouds, the Merced River at the base, California. Photograph by Marty Quinn
Granite Titan
from $88Order →
A large hay barn emerges from morning fog in the rural American countryside, California. Photograph by Marty Quinn
Hay Barn in Fog
from $88Order →
There's a hollow in the Zion sandstone that erosion carved into roughly the shape of a heart, Utah. Photograph by Marty Quinn
Heart of Maples
from $88Order →
House on Fire is an Ancestral Puebloan ruin on Cedar Mesa in Bears Ears National Monument, Utah. Photograph by Marty Quinn
House on Fire
from $88Order →
A large Joshua Tree among the granite boulders of Joshua Tree National Park at sunset — the high wispy clouds were rare that day, and combining both the tree and the rocks in one balanced frame was the goal, California. Photograph by Marty Quinn
Joshua Tree and Rocks
from $88Order →
White aspen bark catches the light against a dark autumn forest, the last few leaves still holding on, Colorado. Photograph by Marty Quinn
Last Leaves
from $88Order →
Looking west from Clingmans Dome in Great Smoky Mountains National Park at sunset — the layers of atmospheric haze over the ridgelines rendered in Fujichrome Velvia 50, Tennessee. Photograph by Marty Quinn
Layered Sunset
from $88Order →
A narrow section of a wash in Zion National Park where plants find whatever light filters down from the canyon above, Utah. Photograph by Marty Quinn
Life's Path
from $88Order →
A well-shaped saguaro cactus in the Sonoran Desert of Arizona, photographed after waiting for the right combination of low-angle light and clouds. Photograph by Marty Quinn
Lone Saguaro
from $88Order →
Lower Calf Creek Falls drops 126 feet into a pool of turquoise water in Grand Staircase-Escalante, Utah. Photograph by Marty Quinn
Lower Calf Creek Falls
from $88Order →
Sunrise over an exposed high-desert plateau that reads as lunar — pale, stripped to rock and sky, Utah. Photograph by Marty Quinn
Lunar Sunrise
from $88Order →
Two ponderosa pines and a stand of bigtooth maple in peak fall red at Zion National Park, Utah — the canyon's reflected light warming the maples from the side. Photograph by Marty Quinn
Maple Glow
from $88Order →
The East and West Mittens and Merrick Butte at blue hour in Monument Valley, the sandstone formations holding their deep red while the sky transitions through pink and blue, Arizona. Photograph by Marty Quinn
Monument Valley Sunset
from $88Order →
A small mountain cabin at the edge of fall color in the Colorado Rockies, caught at sunset with the peaks behind it going orange. Photograph by Marty Quinn
Mountain Cabin Sunset
from $88Order →
Mt, Washington. Photograph by Marty Quinn
Mt Shuksan Reflection
from $88Order →
Mt, Oregon. Photograph by Marty Quinn
Mt. Hood Sunrise Reflection
from $88Order →
The Virgin River Narrows in Zion National Park — reflected canyon light glows from the passage ahead while the foreground walls hold in shadow, Utah. Photograph by Marty Quinn
Narrows Reflection
from $88Order →
The redwood has no top and no bottom in this frame, California. Photograph by Marty Quinn
New Growth
from $88Order →
Oak trees reflected in a pond during a snowstorm at Cuyahoga Valley National Park in Ohio — partial ice, falling snow, and the reflection of bare winter trees, California. Photograph by Marty Quinn
Oak Reflections in Winter
from $88Order →
Old Man's Cave in Hocking Hills State Park, Ohio, on a foggy winter day. Photograph by Marty Quinn
Old Man's Cave
from $88Order →
Forest reflected in a still lake in Ontario, Canada — the trees mirrored in the dark water, lily pads dotting the surface, International. Photograph by Marty Quinn
Ontario Forest Reflection
from $88Order →
Organ Pipe and Saguaro cacti at sunset in Organ Pipe Cactus National Monument, southern Arizona — the Sonoran Desert's most distinctive silhouettes against a pink fall sky. Photograph by Marty Quinn
Organ Pipe Sunset
from $88Order →
The Owens River at dawn, still water reflecting a pink sky while the Sierra Nevada rises to the west, California. Photograph by Marty Quinn
Owens River Sunrise - Sierra Nevada Mountain Fine Art Print
from $88Order →
Peak fall color at Owl Creek Overlook in Colorado's Uncompahgre country. Photograph by Marty Quinn
Owl Creek Overlook
from $88Order →
Monterey cypress trees planted along a California road have grown together overhead into a tunnel. Photograph by Marty Quinn
Passage - Black and White Cypress Tree Tunnel Fine Art Print
from $88Order →
A single pinyon pine grows from the canyon floor at Capitol Reef, its dark green canopy set against layered sandstone streaked with desert varnish, Utah. Photograph by Marty Quinn
Pinyon Pine Glow
from $88Order →
A stone staircase descends into a canal in Venice at night, the water moving slowly past old foundations, International. Photograph by Marty Quinn
Ponte De Le Bande
from $88Order →
Prickly pear cactus in the Sonoran Desert of southern Arizona, backlit by a winter sunset. Photograph by Marty Quinn
Prickly Pear and Saguaro Sunset
from $88Order →
A fallen leaf in a canyon stream in the American Southwest — the oils from the decaying leaf create a prismatic sheen on the surface, turning even a colorless leaf into a study in refracted light, Utah. Photograph by Marty Quinn
Prismatic Stillness: Leaf in Stream
from $88Order →
Coast redwoods rise from a carpet of sword ferns as morning fog fills a Northern California grove. Photograph by Marty Quinn
Redwood Fog
from $88Order →
Swirling cross-bedded sandstone and its mirror image in a still desert pool — geology and reflection become nearly indistinguishable, Arizona. Photograph by Marty Quinn
Reflection - Black and White Sandstone Abstract Fine Art Print
from $88Order →
Rhododendron blooming in the fog among coastal redwoods in Northern California. Photograph by Marty Quinn
Rhoddys in Fog
from $88Order →
Close study of a saguaro cactus — the ridges, the spines, the geometry of a desert plant that can live 200 years, Arizona. Photograph by Marty Quinn
Saguaro Closeup
from $88Order →
The polygons that form on Death Valley's salt flat aren't random, California. Photograph by Marty Quinn
Salt Circles
from $88Order →
Pink clouds at sunrise over Death Valley's salt flats, shot on Fujichrome Velvia 50 with an Arca-Swiss 4x5 field camera, California. Photograph by Marty Quinn
Salt Flat Sunrise
from $88Order →
The "Second Wave" formation in Coyote Buttes South, Arizona — layered Navajo sandstone that reads as a frozen wave in the last light of the day. Photograph by Marty Quinn
Second Wave
from $88Order →
A Big Leaf Maple covered in moss, found by chance on a morning in the Pacific Northwest, Washington. Photograph by Marty Quinn
Serendipity
from $88Order →
The full sweep of the Sierra Nevada in winter — California's highest peaks in panoramic format, morning light on the snow. Photograph by Marty Quinn
Sierra Nevada Panorama - Morning Light on California's Highest Peaks
from $88Order →
Pink and magenta clouds over the snow-capped Eastern Sierra at sunrise, California. Photograph by Marty Quinn
Sierra Sunrise - Pink Clouds Over Mountain Peaks Fine Art Print
from $88Order →
Antelope Canyon near Page, Arizona funnels desert light through narrow slots of sandstone into something that doesn't look real. Photograph by Marty Quinn
Single Beam of Light
from $88Order →
Sunset light ignites golden aspen hillsides below the snow-dusted Sneffels Range in Colorado's San Juan Mountains. Photograph by Marty Quinn
Sneffels Gold
from $88Order →
A winter storm hit Zion, Utah. Photograph by Marty Quinn
Snow Covered Tree
from $88Order →
A rock labyrinth laid out across the Mojave desert floor locks eyes with a sky full of cumulus clouds in this large format black and white landscape, Arizona. Photograph by Marty Quinn
Spiral
from $88Order →
This New Mexico waterfall was photographed in October, early enough that the mist was still lifting off the water when the first shaft of light broke through the forest canopy. Photograph by Marty Quinn
Sunbeam Falls
from $88Order →
The Grand Teton range in predawn blue light during fall color season, the peaks rising above the Snake River bottomlands. Photograph by Marty Quinn
Teton Sunrise Pano
from $88Order →
A thread of blue-white water cuts through wet sandstone scattered with fall leaves in this long exposure study from Zion, Utah. Photograph by Marty Quinn
The Crack
from $88Order →
The Three Brothers — Eagle Peak, Middle Brother, Lower Brother — reflected in a calm section of the Merced River in Yosemite Valley after a winter snowstorm, California. Photograph by Marty Quinn
Three Brothers Reflections
from $88Order →
The Doll House is a small Ancestral Puebloan structure set into a sandstone alcove in Bears Ears National Monument, Utah. Photograph by Marty Quinn
Timeless Shelter: The Doll House Anasazi Ruin
from $88Order →
Toroweap Overlook sits on the North Rim of the Grand Canyon, 3,000 feet directly above the Colorado River, Arizona. Photograph by Marty Quinn
Toroweap Sunrise
from $88Order →
The first sun rays of the morning striking the Towers of the Virgin in Zion National Park — the extreme contrast between the lit peaks and the dark valley floor made Kodak Ektar 100 the right film choice, Utah. Photograph by Marty Quinn
Towers of the Virgin Sunrise
from $88Order →
The Middle Prong Little River at Tremont in Great Smoky Mountains National Park, Tennessee — water over river rock in fall color. Photograph by Marty Quinn
Tremont Cascade
from $88Order →
Yosemite Valley from Tunnel View just after a winter snowstorm — El Capitan and Half Dome in a clearing atmosphere, the valley floor in snow, California. Photograph by Marty Quinn
Tunnel View Spotlight
from $88Order →
Sunrise over the rolling hills of the Val d'Orcia in Tuscany, Italy — cypress trees on the horizon, morning mist in the valleys between the slopes, International. Photograph by Marty Quinn
Tuscan Dawn
from $88Order →
The rolling hills of Val d'Orcia, Tuscany, in morning fog — the landscape layers dissolving into the mist in panoramic format, International. Photograph by Marty Quinn
Tuscany Pano
from $88Order →
Stone arches and a small table in a quiet corner of Venice, Italy — the city's architecture away from the tourist routes, at night, International. Photograph by Marty Quinn
Venetian Arches
from $88Order →
The Wahweap Hoodoos rise from Entrada sandstone in a remote section of Grand Staircase-Escalante, Utah. Photograph by Marty Quinn
Wahweap Hoodoos
from $88Order →
Water droplets on a fern frond after rain — each bead of water refracting the light, the green of the frond vivid in wet conditions, California. Photograph by Marty Quinn
Water Drops on Fern
from $88Order →
White Pocket in the Vermilion Cliffs National Monument as a storm moved in at sunset — the layered red rock formations and a lone tree under a sky with color on multiple levels, Arizona. Photograph by Marty Quinn
White Pocket Sunset
from $88Order →
A yucca rising from the gypsum dunes of White Sands National Park in New Mexico. Photograph by Marty Quinn
White Sands Yucca
from $88Order →
A yucca and ponderosa pines in front of the glowing orange sandstone walls of Zion National Park at sunset, Utah. Photograph by Marty Quinn
Yucca and Pine Trees
from $88Order →
Zabriskie Point before dawn, when the badlands are pale and the light has no color yet, California. Photograph by Marty Quinn
Zabriskie Point Black and White Pano
from $88Order →
Pre-dawn light at Zabriskie Point, the eroded badlands pale and sculptural in the foreground while alpenglow catches the Panamint Range across the valley, California. Photograph by Marty Quinn
Zabriskie Point Sunrise
from $88Order →
Diagonal bands of cross-bedded Navajo sandstone line the walls of a Utah slot canyon in this black and white study of layered rock and narrow light. Photograph by Marty Quinn
Zebra Slot
from $88Order →
Reflected light bouncing off the canyon walls in Zion National Park, Utah. Photograph by Marty Quinn
Zion Canyon Glow
from $88Order →
Zion in a snowstorm changes character entirely, Utah. Photograph by Marty Quinn
Zion Snowstorm
from $88Order →

Showing 116 available prints from the complete collection

Southwest Landscape Photography Prints

Growing up in Ohio, surrounded by forest and creek beds, the American Southwest might as well have been another planet. A trip to Tucson in my early teens, then Death Valley not long after — and something clicked. The geology, the plant life, the colors at dusk. None of it resembled anything I had seen before. I started going back as often as I could, and when the chance to move to Phoenix came up, we took it without much deliberation.

That was decades ago. The fascination has not changed. This collection is the record of those years — the places I keep returning to, the light I planned months to be there for, the images that still hold up after the film comes back from the lab.

How These Photographs Are Made

I do not go out with a shot list. Most of the time I am just hiking, paying attention to the landscape. Something catches my eye and I stop — look at it from different angles, try to understand what is working about it. With a 4x5 view camera, setup takes real time: tripod, dark cloth, ground glass focusing, film holders, metering. If the light is already doing something by the time I have found a composition, I have often missed it.

So I take notes. Mark the location, the angle, which direction the light was coming from. Then come back when I can be set up and ready before it arrives.

Subject and composition first. Then figure out when the light will be right, and be there waiting.

What Makes It Into the Collection

Technical quality is table stakes. If the exposure is off or the focus is not where it needs to be, the image does not exist. Large format narrows things considerably on its own.

What is left after that bar comes down to one question: does it still work after developing? There are images I was certain about in the field. Then the drum scans come back and something is absent — the light was good, the composition was right, but the feeling is not there. The ones that make it into the collection are the ones where the feeling holds a week later.

Part of that feeling is immersion. I try to avoid heavy post-processing — the goal is for the viewer to feel present in the scene, not to feel like they are looking at a photograph of it. At large print sizes, 4x5 film delivers the kind of detail that makes that possible. You can stand close to a 30x40 print and still find things. That quality does not come from editing — it comes from the negative.

The Geology of It All

The Southwest does not repeat itself. Sandstone in Utah reads completely differently than the Sonoran Desert in Arizona, which has nothing in common with Death Valley, which bears no resemblance to the high desert around Sedona. The geology drives everything — the plant life, the soil color, the shapes of the landforms, the way light moves across them at different hours of the day.

That is the underlying logic of this collection. Not a survey of famous overlooks. An attempt to understand a landscape I have been drawn to since I was a teenager, one sheet of film at a time.

Browse by Region

Print Quality

All prints are produced using archival pigment inks on museum-quality cotton rag paper. Large format film is drum scanned, color-managed, and individually proofed before anything ships. Every print includes a certificate of authenticity and care instructions.

Paper, ChromaLuxe metal, and Lumachrome acrylic options are available. Custom sizing up to 60 inches wide. Full details on print options.

Find Your Perfect Landscape Print

From intimate nature details to sweeping panoramic vistas, discover the image that speaks to you from our complete collection.

Browse All CollectionsRequest a Quote

Free shipping on orders over $500